In a thrilling adaptation of Edgar Allan Poe’s best-known works, acclaimed artist-adapter Gareth Hinds translates Poe's dark genius into graphic-novel format.
It is true that I am nervous. But why will you say that I am mad?
In “The Cask of Amontillado,” a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In “The Masque of the Red Death,” a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can’t see his tormentors in “The Pit and the Pendulum,” and in “The Tell-Tale Heart,” a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems — “The Raven,” “The Bells,” and Poe’s poignant elegy to lost love, “Annabel Lee.” The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror.
A mundane life takes a strange and magical turn in this rich gothic fantasy told with vivid black-andwhite art — a graphic novel perfect for a Halloween night.
As he twists the key and slowly creeps into the grand mansion left to him in his father’s will, Salem Brownstone has an eerie feeling that his world is about to change. First there’s the appearance of a beguiling contortionist from Dr. Kinoshita’s Circus of Unearthly Delights . . . then a crystal ball . . . then an attack by the sinister Shadow Boys. It seems the father that Salem never knew was actually a powerful magician, and the son has inherited his dark legacy — and an unfinished battle for life or death. With intriguing echoes of Tim Burton, Edward Gorey, H. P. Lovecraft, and Aubrey Beardsley, this album-format, beautifully cloth-bound graphic novel forges a mesmerizing style all its own.
